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Jewison told Cage that he could get “really hot really fast on camera,” in the understatement of the century. As a means of balancing some of that intensity, his hand movements were “choreographed” with moves that he “got from an old Fritz Lang movie called Metropolis.” Cage explains that his Moonstruck scene was a “direct steal” from the moment in Metropolis “where the mad scientist takes off the glove and shows his robot hand.”

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